Tibetan Singing Bowl in Meditation

Tibetan singing bowls originated in the Himalayan regions of Tibet, Northern China, India, Bhutan, and Nepal. Historians are unable to pinpoint exactly when singing bowls came into being, but the technique to build similar instruments existed in Asia as long as 2,500 years ago. Some sources believe that singing bowls were first used in India 3,000 years ago, and in Tibet 1,000 years ago. It is believed that the “Bon” sect of shamans often used singing bowls in their rituals.

Singing bowls were originally comprised of five, seven, or nine different metals including gold, silver, mercury, copper, tin, and iron. Some also believe that meteorite was used in making the original bowls. But most bowls were made using five metals or less.

Today, singing bowls are often made by pouring metal into a cast. These singing bowls are smoother and are generally easier to play. There are also hand-hammered singing bowls on the market. Hand-hammered bowls are more difficult to play, and even though they are often passed off as old or antique, few of them are. Antique bowls are still around, but they are very rare and high-priced.

Playing a singing bowl is very simple, and you will be able to play most bowls in less than five minutes. Simply circle the stick around the outside of the bowl very slowly in a steady rhythm. You might have to circle for a while before you actually hear anything. You will begin to hear a slight hum, and this hum will increase as you continue circling the stick around the bowl.

Singing bowls are often used for meditation, and you can play your bowl while meditating yourself. You can also ask someone else to play the bowl while you are meditating. Singing bowls are often used in yoga classes as well. In a yoga class someone would sit in the class to play the bowl while the students go through the asanas. This is a nice addition to any yoga class, and is more soothing than the recorded music that many yoga classes use.

Singing bowls are wonderful to use in outside environments and for yourself at home. They are becoming more and more popular in the west, along with yoga and Buddhism. When you are not playing your singing bowl, it still serves as a beautiful decoration for your home. In Tibet singing bowls are often used for other purposes, such as offering bowls, as well as for playing.

Where It All Started

The knowledge of singing bowl production would have spread throughout Asia along established trade routes. Many believe that the Buddha, Padmasambhava, crossed the Himalaya mountains from India into Tibet. He bought the teachings of the Buddha into the country and also the knowledge of singing bowls. Contrary to popular belief, singing bowls were not used during any religious practices but were used instead as begging bowls and for food. During this period monasteries only used the singing bowl as a chalice.

Why were they produced?

If the singing bowl was not produced for religious practice then the obvious question is: what were they used for? There are accounts of travelling smiths who would make the bowls with materials gathered during their travels. Other theories suggest it was the monks themselves that produced the bowls. If so though, why were they used for eating and not meditation? What was the reason for having the bowls ’sing’? The fact is no one can be entirely sure who produced the earliest singing bowls as there is no concrete evidence to support either theory.

How were they made?

Ancient singing bowls were traditionally made of
seven various metals, each one symbolising a different planet in the solar system. The sound produced by the singing bowls would vary depending upon how the different quantities of metals were mixed together. The metals would be combined to form an alloy which would be left to cool before being beaten into the familiar bowl shape. However,
each of these ancient bowls varies and can have more or less than the seven traditionally used metals. This would support the theories that it was the travelling
smiths who produced the bowls as, during their travels, not all the metals
would have been available which explains why each bowl might be of a
different composition.